Composition is the precise organization of vitality according to artistic laws. The so-called vitality is reflected in the tension contained in the elements. (Kandinsky, "Point and Line to Plane")
 
This is a series of abstract paintings in which I combine contemporary abstract art with the aesthetics of traditional Chinese painting. One is based on the frame of reference formed by Western contemporary art, reflecting or introspecting on Chinese cultural traditions, and the other is based on the cultural logic and art historical context of contemporary Chinese art, distancing myself from the West, forming my own personal rhetoric and expression, and establishing my own methodology.

I am inspired by traditional Chinese calligraphy and landscape painting. In traditional Chinese landscape painting the most important thing is the qi of the picture, which is an abstract concept of the temperament that the whole picture conveys to the viewer. I place great emphasis on the place of inspiration and the subconscious in the creation of my work as expressed in my meta order series. Each colour block and line in the painting follows a certain rhythm, the back and forth, the gradation of reality and left and right play with each other to create a state of balance and restraint in the internal structure, and subconsciously find their place in this order to stimulate the imagination to develop an infinite The meditative space that spreads in an infinite succession.
My practice is to set up a rule and order for my work, but at the same time to disrupt and break the order in another way, using different painting techniques to achieve a balance in the picture by constantly modifying, overwriting and destroying.